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Home>Brand: earthworks

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C30/C-B

ChoirMic Series 30kHz Hanging Microphone (Cardioid, Black)

30kHz flat frequency response
No spotlighting
Uniform frequency response on or off axis
More gain before feedback
Picks up almost no sound from the rear of the microphone
Electronics housed in microphone
Prevents RFI
Mini-gooseneck allows quick and easy positioning
Comes with 30 foot balanced, twisted pair Canare cable
Custom cable lengths available
Does not come with XLR (order accessory C30-XLR for installed male XLR)

Series: ChoirMic Series High Definition Hanging Choir Micr

INV#120416

FMR500

FlexMic Series 19" Rigid Center Podium Mic (Cardioid)

Rigid center and flex at both ends
Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
High rejection of sounds to the rear of the microphone
Rejects RFI
Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility

Series: FlexMic Series Podium Microphones

INV#120399

M23

23 kHz Omnidirectional Measurement Microphone

Cost effective measurement microphone
Improved version of the SMAARTMIC™ previously offered by EAW
Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
Omnidirectional polar pattern
Flat frequency response, fast impulse response and exceptional polar characteristics
Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
Requires 48V Phantom Power
Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve

Series: M Series High Definition Measurement Microphones

INV#50295

FM500

FlexMic Series 19" Podium Mic (Cardioid)

Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
High rejection of sounds to the rear of the microphone
Rejects RFI
Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility

Series: FlexMic Series Podium Microphones

INV#61780

M30

30 kHz Omnidirectional Measurement Microphone

Cost effective measurement microphone
Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
Omnidirectional polar pattern
Flat frequency response, fast impulse response and exceptional polar characteristics
Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
Requires 48V Phantom Power
Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve

Series: M Series High Definition Measurement Microphones

INV#66995

PM40

Piano Microphone System for Grand Pianos

Incredible High Definition Audio that will outperform any microphones at any price
Cannot be seen from outside of the piano (needs no stands or mic booms)
Superb sound with the piano lid either up or down
Virtually no leakage from sounds outside the piano
Incredible gain before feedback
Recording studios can now record piano with other instruments in the same room
Quick, Simple and Easy Setup
40kHz Random Incidence Omnis
Hear the full range of the piano including the high and low strings with no hot spots
The telescoping bar allows the PianoMic™ to be quickly and easily installed in nearly all grand pianos and to place the microphones close to or away from the dampers and get the exact sound desired

Series: PianoMic Series of High Definition Piano Miking Sy

INV#80434

FMR500HD

EARTHWORKS FMR500HD

19" Cardioid Podium Microphone with rigid center
And flex on both ends - 30Hz-40kHz

Series: FlexMic Series Podium Microphones

INV#169507

PMM1

EARTHWORKS PMM1

Podium Mount for FlexMics (all models)

Series: Accessories

INV#120423

FW730

30kHz 7 Foot Cardioid Microphone System

Cardioid polar pattern
Frequency response of 30Hz to 30kHz
Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
For applications requiring a tighter pickup pattern with greater off-axis rejection
Large flex section near the center of the stand that couples the stand and the wand
Mini-gooseneck between the end of the wand and the microphone head
The lower section of the stand is 3/4” in diameter and the 24 inch wand is 5/16” in diameter with a 4.5” mini-gooseneck connected at the end which connects to the High Definition Microphone™ head
The combination of a mid-flex section and the mini flex on the wand provide an infinite combination of placement options between 1.5 feet and 7 feet
Substantial improvement in gain before feedback
The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
The sturdy 12 pound base will not allow the FlexWand™ to be accidentally knocked over

Series: FlexWand Series High Definition Integrated Microph

INV#80437

C30/C-W

ChoirMic Series 30kHz Hanging Microphone (Cardioid, White)

30kHz flat frequency response
No spotlighting
Uniform frequency response on or off axis
More gain before feedback
Picks up almost no sound from the rear of the microphone
Electronics housed in microphone
Prevents RFI
Mini-gooseneck allows quick and easy positioning
Comes with 30 foot balanced, twisted pair Canare cable
Custom cable lengths available
Does not come with XLR (order accessory C30-XLR for installed male XLR)

Series: ChoirMic Series High Definition Hanging Choir Micr

INV#120415

FMR600/HC

FlexMic Series 23" Podium Mic (Hypercardioid)

Rigid center and flex at both ends
Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
High rejection of sounds to the rear of the microphone
Rejects RFI
Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility

Series: FlexMic Series Podium Microphones

INV#128046

FMR720

FlexMic Series 27" Rigid Center Podium Mic (Cardioid)

Rigid center and flex at both ends
Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
High rejection of sounds to the rear of the microphone
Rejects RFI
Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility

Series: FlexMic Series Podium Microphones

INV#120397

FMR600

FlexMic Series 23" Podium Mic (Cardioid)

Rigid center and flex at both ends
Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
High rejection of sounds to the rear of the microphone
Rejects RFI
Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility