Audix, On Stage With Audix
SoundCraft vi6
TasCam US2000
Compare:
- 4 screaming-loud (150 mW per channel) stereo ¼" headphone outputs (front panel)
- 2 balanced ¼" line outputs (monitor outputs)
- 2 balanced ¼" line inputs
- Headphone level control for each channel
- Mono summing switch for each channel
- Monitor level control
- Monitor mute switch
- Daisy-chain multiple units via monitor outputs
- Compact 1/3U rack-mount chassis
- Sealed, detented, metal rotary controls
- External 16 VAC power supply
Compare:
- 4-channel headphone amplifier
- Four 1/4" stereo headphone outputs
- Individual volume control for each headphone output
- Stereo 1/4" input
- 18 Volt AC adapter included
Compare:
- 6 screaming-loud (150 mW/channel) headphone outputs (front panel)
- 6 unbalanced stereo ¼" line outputs (1 per channel); carries a copy of the channel mix
- 6 unbalanced stereo ¼" external analog line inputs (1 per channel) for "more me," with trim controls
- 4 balanced ¼" analog line inputs (L/R Mix input pairs A and B)
- 1 balanced XLR Talkback input for external dynamic microphone
- 1 ¼" footswitch jack for hands-free Talkback operation
- 1U 19" rack-mountable, rugged steel chassis
- Internal power supply with standard IEC connector
Compare:
- Two Master Stereo Inputs plus Stereo Link Output
- 8 Segment LED Metering on Each Channel and Master
- Two Band Equalizer on Each Channel
- Three Headphone Outputs per Channel (One Front Panel and Two Rear Panel Outputs)
- Auxiliary Input with Balance Control provides four Channels of "More Me" Mixing
- Mute and Stereo/2 Channel Mode Switches on Each Channel
- Maximum Output Power on Each Channel (Regardless of Headphone Impedance)
- Three-year Extended Warranty
Compare:
- Dual headphone outputs; one rear, plus one front panel output per channel allowing a total of eight headphones connected at the same time
- Maximum output power on each channel regardless of different headphone impedances
- Left and Right Line inputs for master stereo bus on balanced TRS (Tip Ring Sleeve) 1/4" phone connectors
- Inject input on TRS (Tip Ring Sleeve) unbalanced stereo phone connector allowing for the insertion of an addi- tional stereo signal that is mixed with the stereo Line input for "more me" mixing
- 2-Channel/Stereo mode switch configures the C que 8 to operate in traditional stereo mode, or in 2-Channel, mono mode
- EQ Shape circuit on each channel provides a "music contour" equalization curve that boosts the low and high frequencies of the headphone output
- Stacking Rubber Bumpers
- Tilting Feet are included
- 19", 1 u (one rack space) rack-mount kit available
Compare:
- (8) stereo 1/4" headphone outputs
- 250mW + 250mW @ 32ohm per channel
- Each headphone output switchable to input 1, input 2 and direct input source (or a combination of the three)
- Master input gain controls
- (16) 1/4" TRS balanced direct inputs
- (4) XLR balanced inputs (Channels 1 & 2)
- (2) 1/4" TRS balanced inputs (Chan 1)
- (2) RCA unbalanced inputs (Chan 2)
- (4) TRS balanced foldback outputs
- Ground lift switch and terminal
Compare:
- Every performer in a studio or live sound setting can have a personalized mix without any adjustments at the board
- Perfect for use as a headphone system in the studio, plus drives powered monitors in live sound applications
- Provides each musician with five volume controls: four monaural (for mixer channels or busses), plus one for an overall stereo mix or a stereo effects return
- HDS-6 to HR-6 linking cables are included, as is a universal mic stand clamp
Compare:
- Every performer in a studio or live sound setting can have a personalized mix without any adjustments at the board
- Perfect for use as a headphone system in the studio, plus drives powered monitors in live sound applications
- Provides each musician with five volume controls: four monaural (for mixer channels or busses), plus one for an overall stereo mix or a stereo effects return
- HDS-6 to HR-6 linking cables are included, as is a universal mic stand clamp
