Yamaha Part 2
QSC KLA serises 2011
SoundCraft Si Compact Part 1
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- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Replacement cartridge: R57
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- Miniature condenser microphone is ideal for both vocal and acoustic guitar applications
- Natural and articulate vocal reproduction when used as a clip-on lavalier—clothing clip included
- Excels in pickup of acoustic guitar with included instrument adapter
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Switchable low-frequency roll-off
- Corrosion-resistant contacts from gold-plated XLRM-type connector
- Operates on battery or phantom power
- 6' (1.8 m) cable permanently attached between microphone and power module
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PG57-XLR - PG Series Instrument Microphone
- Tailored frequency response is smooth and extended. Tuned specifically for instrument applications.
- Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings.
- Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion.
- Cartridge includes a neodymium magnet for high output level.
- Internal shock mount for reduced handling noise.
- Durable metal construction.
- On/off switch for onstage control.
- Hardened steel mesh tapered grille that resists wear and abuse.
- Includes a 15 ft (4.57m) cable, break-resistant mic clip and storage bag.
- Includes a 15 ft (4.57m) cable, break-resistant mic clip and storage bag.
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- Hum compensating coil reduces electrical interference
- Neodynium ferrous magnet with boron keeps mic stable regardless of climate
- Metal construction—rugged and reliable
- Super-cardioid pick-up pattern provides isolation from other on-stage signals
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- Uniform supercardioid pattern with high gain-before-feedback
- Neodymium magnet for high signal-to-noise ratio
- Advanced pneumatic shock mount system
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Minimally affected by varying load impedance
- Shure quality and reliability
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- Volume control knob allows users to adjust the volume to fit each musical situation
- Rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response 100 to 5,000 Hz
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- Lively, full sound
- Very fast attack
- Flat shape is ideal for miking amp faces
- Three position switchable sound character: bright, moderate, dark
- Rugged metal body
- Switchable presence filters (3 levels)
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- Plug and Play USB Connectivity allows the convenience of digital recording, anywhere your computer can go (compatible with Windows 7, Vista, XP, 2000, and Mac OS X 10.1 or later)
- Provides +48V Phantom power
- USB cable (3m / 9.8ft) included for immediate use
- Headphone jack with volume control for monitoring
- Integrated pre-amp with Microphone Gain Control allows control of input signal strength
- Monitor Mix Control for blending microphone and playback audio
- Zero Latency Monitoring for real-time playback and multi-tracking without disorientation
- 16 bit, up to 48 kHz sample rate for better-than-CD quality audio
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DMK57-52 - Shure Drum Microphone Kit
- Three SM57 microphones
- One Beta 52A lick drum microphone
- Three A56D drum mounts
- Carrying case included
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- Frequency response shaped specifically for kick drums and bass instruments
- Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Studio quality performance, even at extremely high sound pressure levels
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal-to-noise ratio output
- Low sensitivity to varying load impedance
- Shure quality and reliability
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- SuperCardioid Pickup Pattern
- Gold-plated XLR connectors
- Carry Case & shock-mounted mic clips included
- Sold as stereo pair
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- 4" PR 30 that exhibits all specs of the PR 30
- 40 dB of rear and side rejection
- Perfect low profile answer for toms
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- Flat frequency response is wide and uniform. Consistent sensitivity through frequency range.
- Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings.
- Condenser cartridge has a lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances.
- Powered by AA battery or phantom power supply.
- Internal shock mount for reduced handling noise.
- Durable metal construction.
- On/off switch for onstage control.
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- Largest dynamic element available
- Smooth response sounding like a ribbon
- Wide frequency response
- Articulate natural mid range
- Perfect for broadcast studios
- Absolute best guitar amp microphone
- Properly positioned hum bucking coil and heavy steal case insure maximum shielding
- Assembled and tested in Illinois
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- Flat response curve for accurate reproduction of sound sources
- Low noise and high output clipping level
- Low distortion over a wide range of load impedances
- Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds
- Low RF susceptibility
- Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff
- 0 dB/10 dB lockable attenuator switch
- Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
- Rugged steel construction for durability
- Field-usable over wide range of temperature and humidity conditions
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- (3) Three PG56 snare/tom microphones
- (1) One PG52 kick drum microphone
- (2) Two PG81 instrument microphones
- (3) Three A50D drum mounts
- (6) Six 15ft (4.57m) XLR-XLR cables
- (1) One durable carrying case
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- Rugged reinforced glass-fibre body
- Low sensitivity to impact and handling noise
- Very high sound pressure handling capability
- Low distortion microphone
- Hum compensating coil
- Easy to position due to compact design
- Integral stand mount
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- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
- Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
- Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the "low-mid scoop" setting for a strong low frequency "punch" with plenty of higher frequency attack
- Requires no external mounting or accessories for ease of use and storage
- Furnished with zipper pouch
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KSM137/SL - KSM Series Instrument Microphone
- Extended frequency response
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- Highly consistent cardioid polar pattern
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- 3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- 3-position switchable low-frequency filter reduces background noise and counteracts proximity effect
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- Live Stage, studio
- Snare, toms, percussion
- Guitar cabinets, electric instruments
- Brass, flute,woodwinds
- Acoustic instruments
- Vocals, speech
