Brand:
- Three SM57 microphones
- One Beta 52A kick drum microphone
- Three A56D drum mounts
- Carrying case included
INV#6328
- Mountable drum and instrument microphones for live sound and recording applications
- Includes PGA52 drum microphone, 3 PGA56 drum microphones, PGA57 instrument microphone, 2 PGA81 instrument microphones, 3 microphone clips, 3 drum mounts, 5 XLR-XLR cables, carrying case and user guides
INV#180272
- 1 D6 for kick drum,1 i5 for snare, 2 D2s for toms, 1 D4 for floor tom, 1 D4 for floor tom, 2 ADX51s for overheads
- All-in-one solution for miking drums
- Instrument-specific mics for optimal results
- Rugged Audix quality
- Dflex clips for easy positioning
- Aluminum carrying case
INV#50032
- High Output Dynamic Element
- Unidirectional Cardioid Polar Pattern for Maximum Gain Before Feedback
- Withstands High Sound Pressure Levels
- Dual Stage Windscreen
- Excellent for Live Performance and Recording
- Rugged Road-Proof Design
- Gold Plated XLR Connector
- Mic Clip and Carry Case Included
INV#17010
- 1-f5 dynamic, 3-f2 dynamics, 1-f6 dynamic, 2- f9 condensers, 6 Dclips, 1 MC1 clip
- All-in-one solution for drum miking
- Instrument-specific mics for optimal results
- Rugged Audix quality
- Aluminum carrying case
INV#58800
- 1 PGA52, 3 PGA56, 1 PGA57, A25D stand adapter, 3 AP56DM drum mounts, 5 XLR-XLR cables, case
INV#180273
- 1 D6 for kick drum,1 i5 for snare, 2 D2s for toms, 1 D4 for floor tom, 1 D4 for floor tom
- All-in-one solution for miking drums
- Instrument-specific mics for optimal results
- Rugged Audix quality
- Dflex clips for easy positioning
- Aluminum carrying case
INV#34360
- Extended frequency response from 20Hz-20kHz to capture more detail and dynamics of your playing. Ultra-fast impulse response makes this microphone ideal for reproducing the full detail of the attack (note: impulse response has little to do with low frequency sounds).
- Shorter diaphragm settling time prevents subtle details from being blurred by earlier loud attacks. Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments. High gain before feedback. 150dB SPL capability ensures the mic will not overload from the loudest of drum attacks.
- A right-angle mic head is mounted to the gooseneck for easy positioning. The microphone head housing is designed to protect the microphone capsule and withstand a direct hit from a drumstick.
INV#219916
- Kit includes (1) e602-II cardioid dynamic for
- Kick drum, (4) e604 cardioid dynamic for
- Toms/snare, (2) e614 supercardioid condenser for
INV#90297
- 1 x i5 snare mic
- 1 x D6 kick mic
- 2 x ADX51 overhead mics
- 1 x DVICE rim mount with MC1 mic clip
- 3 x DCLIP mic clips
- 2 x WS81C windscreens
INV#99706
- 3 Mics in a Foam Padded Hard Shell Case
- High gain, low impedance design
- Dynamic Neodymium mic element
- Super Cardioid pickup pattern
- Multi-axis shock mounted element
- On/Off Switch
- Hard Shell Carry Case for 3 mics *(3) Mic Clips included
INV#56478
- AT2020 Side-address cardioid condenser microphone
- AT2021 Small-diaphragm cardioid condenser microphone
- SONAR LE recording software
- Pivoting, threaded stand mount for the AT2020
- Professional stand clamp for the AT2021
- Two protective pouches
INV#39359
- 1-f5 dynamic, 3-f2 dynamics, 1-f6 dynamic, 4 Dclips, 1 MC1 clip
- All-in-one solution for drum miking
- Instrument-specific mics for optimal results
- Rugged Audix quality
- Aluminum carrying case
INV#58698
- Ultra fast impulse response ideal for reproducing the full detail of the attack. Substantially shorter diaphragm settling time prevents subtle details from being blurred or covered by earlier loud attacks.
- Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments.
- More gain before feedback. High SPL rating ensures the mic will not overload from the loudest of drum attacks.
INV#219915
- High-Performance Drum Microphone Set, contains:
- 1x D112 MKII, 2x C430, 4x D40, plus all
- Neccessary stand adapters and clamps
INV#195021
- The SV33 is our flagship studio vocal microphone featuring a 14mm capsule that delivers warmth coupled with staggeringly precise audio performance. A true cardioid polar pattern provides freedom and ease for every recording session with an enormous sweet spot and incredible rear rejection, maintaining complete sonic accuracy for vocal performances.
- The SV33 eliminates limitations found in other high-end studio microphones and infuses ease into the process for both the vocalist and the engineer. With 140 degrees of freedom across the frontal hemisphere every moment of joy, longing, pain or elation will come through with breathtaking lifelike clarity.
- The SV33 excels at delivering crystal clear vocals full of detail and nuance; effortlessly positioned forward in the mix with incredibly low end, smooth midrange and high frequency detail. The openness and the air, itâ s all there. Giving you a big vocal track full of vibrant presence with incredible intimacy.
- Its discrete Class A circuitry means that your signal path will remain uncompromised, delivering the purest sound possible. With the SV33 youâ ll achieve unmatched sonic clarity and world-class performance for every recording session.
INV#228415
- Includes PGA52 drum microphone, PGA57 instrument microphone, 2 PGA181 side-address microphones, 3 microphone clips, 4 XLR-XLR cables, carrying case and user guides
INV#180274
- Comes with 2 TC25s (for overheads), 1 SR25 (for kick drum), 1 KickPad™, 1 windscreen
- Improved impulse response for faster and more accurate transients
- Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
- Extended frequency response to 25 kHz to capture a crisper and more realistic image
- Near perfect polar patterns that remain even across all frequencies and at any position within the pattern
- More cohesive and unified drum sound
- Hear more attack and subtle detail
- Increased detail and dynamic range
- Versatile, multi-use mics
- Mics are protected in a high impact case
- Ideal three-mic choice for recording
- Fast setup and teardown
INV#37973
- Comes with 3 SR25s (two for overheads and one for kick drum), 1 KickPad™, 1 windscreen
- Improved impulse response for faster and more accurate transients
- Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
- Extended frequency response to 25 kHz to capture a crisper and more realistic image
- Near perfect polar patterns that remain even across all frequencies and at any position within the pattern
- More cohesive and unified drum sound
- Hear more attack and subtle detail
- Increased detail and dynamic range
- Versatile, multi-use mics
- Mics are protected in a high impact case
- Ideal three-mic choice for live performance or recording in less than ideal acoustic environments
- Fast setup and teardown
INV#120412
- Extended frequency response from 20Hz-20kHz to capture more detail and dynamics of your playing. Ultra-fast impulse response makes this microphone ideal for reproducing the full detail of the attack (note: impulse response has little to do with low frequency sounds).
- Shorter diaphragm settling time prevents subtle details from being blurred by earlier loud attacks. Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments. High gain before feedback. 150dB SPL capability ensures the mic will not overload from the loudest of drum attacks.
- A right-angle mic head is mounted to the gooseneck for easy positioning. The microphone head housing is designed to protect the microphone capsule and withstand a direct hit from a drumstick.
INV#80439
- Extended frequency response from 20Hz-20kHz to capture more detail and dynamics of your playing. Ultra-fast impulse response makes this microphone ideal for reproducing the full detail of the attack (note: impulse response has little to do with low frequency sounds).
- Shorter diaphragm settling time prevents subtle details from being blurred by earlier loud attacks. Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments. High gain before feedback. 150dB SPL capability ensures the mic will not overload from the loudest of drum attacks.
- A right-angle mic head is mounted to the gooseneck for easy positioning. The microphone head housing is designed to protect the microphone capsule and withstand a direct hit from a drumstick.
INV#80438
- RT66 MIC w/Tripod Mic Stand,15' XLR CABLE, Stand
- Bag, Mic Bag, & CLIP
INV#162516
- 2- PR 22
- 3- PR 28
- 3- HH-1 (Patent Pending) mounts
- 2- PR 30B
- 2- HM mic clips
- Black Hardshell Carrying Case
INV#58516
- 2- PR 22
- 2- PR 28
- 2- HH-1 (Patent Pending) mounts
- 2- PR 30B
- 2- HM mic clips
- Black Hardshell Carrying Case
INV#58448
- Includes a high-performance microphone, sturdy
- Metal tripod adjustable microphone stand with
- Microphone clip, and a 20 ft. XLR to cable
INV#68397
