Category:
Series:
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#120416
- Cardioid polar pattern
- Frequency response of 30Hz to 30kHz
- Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
- For applications requiring a tighter pickup pattern with greater off-axis rejection
- Large flex section near the center of the stand that couples the stand and the wand
- Mini-gooseneck between the end of the wand and the microphone head
- The lower section of the stand is 3/4” in diameter and the 24 inch wand is 5/16” in diameter with a 4.5” mini-gooseneck connected at the end which connects to the High Definition Microphone™ head
- The combination of a mid-flex section and the mini flex on the wand provide an infinite combination of placement options between 1.5 feet and 7 feet
- Substantial improvement in gain before feedback
- The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
- Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
- The sturdy 12 pound base will not allow the FlexWand™ to be accidentally knocked over
INV#80437
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120399
- Incredible High Definition Audio that will outperform any microphones at any price
- Cannot be seen from outside of the piano (needs no stands or mic booms)
- Superb sound with the piano lid either up or down
- Virtually no leakage from sounds outside the piano
- Incredible gain before feedback
- Recording studios can now record piano with other instruments in the same room
- Quick, Simple and Easy Setup
- 40kHz Random Incidence Omnis
- Hear the full range of the piano including the high and low strings with no hot spots
- The telescoping bar allows the PianoMic™ to be quickly and easily installed in nearly all grand pianos and to place the microphones close to or away from the dampers and get the exact sound desired
INV#80434
SR20
EARTHWORKS SR20- Cardioid Vocal Microphone - 50Hz to 20kHz (mic
- Clip, case & SRW1 windscreen included)
INV#120364
- Cost effective measurement microphone
- Improved version of the SMAARTMIC™ previously offered by EAW
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#50295
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#61780
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#120415
- Cost effective measurement microphone
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#66995
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120397
ADP1
EARTHWORKS ADP1- 1/2" calibrator adapter for all M Series
- Measurement mics
Series: Accessories
INV#120446
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#128047
- Affordable general-purpose omni with high frequency response to 20kHz
- Ideal for a wide variety of instruments and vocals, including acoustic guitar, string instruments and piano
- For live sound the TC20 can be used for close miking instrument amps, drums or brass
- Omnidirectional polar pattern
- Accurate and uncolored
- Effortlessly handle high sound pressure levels up to 150dB SPL while simultaneously capturing subtle details
- Fast impulse response and diaphragm settling time
- Exceptional flat frequency response and are time coherent, so they sound natural and uncolored
- Requires 48V Phantom Power
INV#120359
FMR500HD
EARTHWORKS FMR500HD- 19" Cardioid Podium Microphone with rigid center
- And flex on both ends - 30Hz-40kHz
INV#169507
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#128046
M-SIX/STEREO
ART M-Six/Stereo- Matched Pair M-Six Pencil Condenser Microphones
Series: ART M-Series Microphones
INV#149918
IML6-W
EARTHWORKS IML6-W- LumiComm Touch Ring Cardioid Installation
- Microphone with 6" Gooseneck, White - 30Hz-30kHz
INV#177228
IML6-B
EARTHWORKS IML6-B- LumiComm Touch Ring Cardioid Installation
- Microphone with 6" Gooseneck, Black - 30Hz-30kHz
INV#169492
IML3-W
EARTHWORKS IML3-W- LumiComm Touch Ring Cardioid Installation
- Microphone with 3" Gooseneck, White - 30Hz-30kHz
INV#177229
IML3-B
EARTHWORKS IML3-B- LumiComm Touch Ring Cardioid Installation
- Microphone with 3" Gooseneck, Black - 30Hz-30kHz
INV#169493
IML12-W
EARTHWORKS IML12-W- LumiComm Touch Ring Cardioid Installation
- Microphone with 12" Gooseneck, White - 30Hz-30kHz
INV#177226
IML12-B
EARTHWORKS IML12-B- LumiComm Touch Ring Cardioid Installation
- Microphone with 12" Gooseneck, Black - 30Hz-30kHz
INV#169490
IML10-W
EARTHWORKS IML10-W- LumiComm Touch Ring Cardioid Installation
- Microphone with 10" Gooseneck, White - 30Hz-30kHz
INV#177227
IML10-B
EARTHWORKS IML10-B- LumiComm Touch Ring Cardioid Installation
- Microphone with 10" Gooseneck, Black - 30Hz-30kHz
INV#169491
IMBL30-W
EARTHWORKS IMBL30-W- LumiComm Touch Ring Omni Boundary Layer
- Installation Microphone, White - 200Hz-30kHz
INV#177234
IMBL30-B
EARTHWORKS IMBL30-B- LumiComm Touch Ring Omni Boundary Layer
- Installation Microphone, Black - 30kHz
INV#169494
- Cost effective measurement microphone
- Improved version of the SMAARTMIC™ previously offered by EAW
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#80430
M-TWO
ART M-Two- Cardiod FET Condenser Microhone w/ pad and roll of
Series: ART M-Series Microphones
INV#130020
M-THREE
ART M-Three- Cardiod FET Condenser Microhone w/ 3 polar
- Patterns, pad/roll-off
Series: ART M-Series Microphones
INV#130019
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120376
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120377
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120378
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#66996
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120379
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#81501
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120380
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120381
OMW3
EARTHWORKS OMW3- Standard Foam Windscreen for QTC, TC & M Series
- Mics
Series: Accessories
INV#120426
OMW2
EARTHWORKS OMW2- 100 mile-per-hour Windscreen for QTC, TC & M
- Series Mics
Series: Accessories
INV#120427
OMW1
EARTHWORKS OMW1- Foam Teardrop Windscreen for QTC, TC & M Series
- Mics
Series: Accessories
INV#120428
MC1 WHITE
EARTHWORKS MC1 White- Microphone Clip for QTC, TC, SR, P, DP & M Series
- Mics (specify black or white)
Series: Accessories
INV#107727
- Microphone Clip for QTC, TC, SR, P, DP & M Series
- Mics (specify black or white)
Series: Accessories
INV#120430