Category:
Series:
- LumiComm Touch Ring Omni Boundary Layer
- Installation Microphone, Black - 30kHz
INV#169494
- Cardioid polar pattern
- Frequency response of 30Hz to 30kHz
- Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
- For applications requiring a tighter pickup pattern with greater off-axis rejection
- Large flex section near the center of the stand that couples the stand and the wand
- Mini-gooseneck between the end of the wand and the microphone head
- The lower section of the stand is 3/4” in diameter and the 24 inch wand is 5/16” in diameter with a 4.5” mini-gooseneck connected at the end which connects to the High Definition Microphone™ head
- The combination of a mid-flex section and the mini flex on the wand provide an infinite combination of placement options between 1.5 feet and 7 feet
- Substantial improvement in gain before feedback
- The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
- Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
- The sturdy 12 pound base will not allow the FlexWand™ to be accidentally knocked over
INV#80437
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#120416
- LumiComm Touch Ring Cardioid Installation
- Microphone with 10" Gooseneck, White - 30Hz-30kHz
INV#177227
- Cardioid Vocal Microphone - 50Hz to 20kHz (mic
- Clip, case & SRW1 windscreen included)
INV#120364
- Hypercardioid polar pattern
- Frequency response of 30Hz to 30kHz
- Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
INV#80248
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120397
- Cost effective measurement microphone
- Improved version of the SMAARTMIC™ previously offered by EAW
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#50295
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#61780
- Extended frequency response from 20Hz-20kHz to capture more detail and dynamics of your playing. Ultra-fast impulse response makes this microphone ideal for reproducing the full detail of the attack (note: impulse response has little to do with low frequency sounds).
- Shorter diaphragm settling time prevents subtle details from being blurred by earlier loud attacks. Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments. High gain before feedback. 150dB SPL capability ensures the mic will not overload from the loudest of drum attacks.
- A right-angle mic head is mounted to the gooseneck for easy positioning. The microphone head housing is designed to protect the microphone capsule and withstand a direct hit from a drumstick.
INV#219916
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120399
- Incredible High Definition Audio that will outperform any microphones at any price
- Cannot be seen from outside of the piano (needs no stands or mic booms)
- Superb sound with the piano lid either up or down
- Virtually no leakage from sounds outside the piano
- Incredible gain before feedback
- Recording studios can now record piano with other instruments in the same room
- Quick, Simple and Easy Setup
- 40kHz Random Incidence Omnis
- Hear the full range of the piano including the high and low strings with no hot spots
- The telescoping bar allows the PianoMic™ to be quickly and easily installed in nearly all grand pianos and to place the microphones close to or away from the dampers and get the exact sound desired
INV#80434
- Affordable general-purpose omni with high frequency response to 20kHz
- Ideal for a wide variety of instruments and vocals, including acoustic guitar, string instruments and piano
- For live sound the TC20 can be used for close miking instrument amps, drums or brass
- Omnidirectional polar pattern
- Accurate and uncolored
- Effortlessly handle high sound pressure levels up to 150dB SPL while simultaneously capturing subtle details
- Fast impulse response and diaphragm settling time
- Exceptional flat frequency response and are time coherent, so they sound natural and uncolored
- Requires 48V Phantom Power
INV#120359
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120396
- Cost effective measurement microphone
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#66995
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#120415
- Hypercardioid Vocal Microphone - 30Hz to 40kHz
- (mic clip and case included)
INV#120371
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#128047
- 19" Hypercardioid Podium Microphone with rigid
- Center and flex on both ends - 30Hz-40kHz
INV#169506
- 19" Cardioid Podium Microphone with rigid center
- And flex on both ends - 30Hz-40kHz
INV#169507
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120398
- 23.5" Hypercardioid Podium Microphone with rigid
- Center and flex on both ends - 30Hz-40kHz
INV#169504
- 23.5" Cardioid Podium Microphone with rigid
- Center and flex on both ends - 30Hz-40kHz
INV#169505
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#128046
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120400
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120401
- 19" Hypercardioid High Definition Podium
- Microphone - 30Hz-40kHz
INV#169508
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120402
- Single Channel Zero Distortion Technology 500
- Series Preamp (1 rack space)
INV#154447
- 13" Hypercardioid High Definition Podium
- Microphone - 30Hz-40kHz
INV#169510
- Ultra fast impulse response ideal for reproducing the full detail of the attack. Substantially shorter diaphragm settling time prevents subtle details from being blurred or covered by earlier loud attacks.
- Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments.
- More gain before feedback. High SPL rating ensures the mic will not overload from the loudest of drum attacks.
INV#219915
- 3 Microphone "recording" Premium DrumKit System
- (includes 2 QTC50, 1 SR30, 1-SRW2 windscreen, 1
- KickPad, 3 LevelPads in Gold Halliburton case)
INV#120413
- Comes with 2 TC25s (for overheads), 1 SR25 (for kick drum), 1 KickPad™, 1 windscreen
- Improved impulse response for faster and more accurate transients
- Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
- Extended frequency response to 25 kHz to capture a crisper and more realistic image
- Near perfect polar patterns that remain even across all frequencies and at any position within the pattern
- More cohesive and unified drum sound
- Hear more attack and subtle detail
- Increased detail and dynamic range
- Versatile, multi-use mics
- Mics are protected in a high impact case
- Ideal three-mic choice for recording
- Fast setup and teardown
INV#37973
- Comes with 3 SR25s (two for overheads and one for kick drum), 1 KickPad™, 1 windscreen
- Improved impulse response for faster and more accurate transients
- Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
- Extended frequency response to 25 kHz to capture a crisper and more realistic image
- Near perfect polar patterns that remain even across all frequencies and at any position within the pattern
- More cohesive and unified drum sound
- Hear more attack and subtle detail
- Increased detail and dynamic range
- Versatile, multi-use mics
- Mics are protected in a high impact case
- Ideal three-mic choice for live performance or recording in less than ideal acoustic environments
- Fast setup and teardown
INV#120412
- Extended frequency response from 20Hz-20kHz to capture more detail and dynamics of your playing. Ultra-fast impulse response makes this microphone ideal for reproducing the full detail of the attack (note: impulse response has little to do with low frequency sounds).
- Shorter diaphragm settling time prevents subtle details from being blurred by earlier loud attacks. Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments. High gain before feedback. 150dB SPL capability ensures the mic will not overload from the loudest of drum attacks.
- A right-angle mic head is mounted to the gooseneck for easy positioning. The microphone head housing is designed to protect the microphone capsule and withstand a direct hit from a drumstick.
INV#80439
- Extended frequency response from 20Hz-20kHz to capture more detail and dynamics of your playing. Ultra-fast impulse response makes this microphone ideal for reproducing the full detail of the attack (note: impulse response has little to do with low frequency sounds).
- Shorter diaphragm settling time prevents subtle details from being blurred by earlier loud attacks. Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments. High gain before feedback. 150dB SPL capability ensures the mic will not overload from the loudest of drum attacks.
- A right-angle mic head is mounted to the gooseneck for easy positioning. The microphone head housing is designed to protect the microphone capsule and withstand a direct hit from a drumstick.
INV#80438
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#99911