Category:
Series:
- Compact, rugged drum mic for stage and studio
- Frequency response: 50Hz-20kHz
- Ultra-fast impulse response
- Near-perfect cardioid polar pattern
- 150dB SPL; rear rejection: 32dB
- Microphone head housing will protect capsule from direct drumstick hit
- Rigid gooseneck stays where you position it, even when drums are played hard
- Included RM1 RimMount and windscreen
INV#219916
- Cardioid polar pattern
- Frequency response of 30Hz to 30kHz
- Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
- For applications requiring a tighter pickup pattern with greater off-axis rejection
- Large flex section near the center of the stand that couples the stand and the wand
- Mini-gooseneck between the end of the wand and the microphone head
- The lower section of the stand is 3/4" in diameter and the 24 inch wand is 5/16" in diameter with a 4.5" mini-gooseneck connected at the end which connects to the High Definition Microphone™ head
- The combination of a mid-flex section and the mini flex on the wand provide an infinite combination of placement options between 1.5 feet and 7 feet
- Substantial improvement in gain before feedback
- The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
- Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
- The sturdy 12 pound base will not allow the FlexWand™ to be accidentally knocked over
INV#80437
- Cost effective measurement microphone
- Improved version of the SMAARTMIC™ previously offered by EAW
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#50295
- Cost effective measurement microphone
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#66995
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120399
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#120416
- Perfect for broadcast-quality speech and voice over recording
- Ideal for streaming, podcasting, interviewing, gaming, web conferencing, and content creating
- Lightening fast. Rise Time Speed of 11.67 microseconds
- Mounts to a boom or stand with included custom Triad-Orbit M2-R connector
- Off-axis rejection prevents ambient room noise from entering your stream
- No foam. Easy to clean and sanitize stainless steel windscreen with integrated pop filter
- Designed, Hand Tuned & Assembled in the USA
INV#255536
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120381
- Incredible High Definition Audio that will outperform any microphones at any price
- Cannot be seen from outside of the piano (needs no stands or mic booms)
- Superb sound with the piano lid either up or down
- Virtually no leakage from sounds outside the piano
- Incredible gain before feedback
- Recording studios can now record piano with other instruments in the same room
- Quick, Simple and Easy Setup
- 40kHz Random Incidence Omnis
- Hear the full range of the piano including the high and low strings with no hot spots
- The telescoping bar allows the PianoMic™ to be quickly and easily installed in nearly all grand pianos and to place the microphones close to or away from the dampers and get the exact sound desired
INV#80434
- LumiComm Touch Ring Omni Boundary Layer
- Installation Microphone, Black - 30kHz
INV#169494
- Ultra fast impulse response ideal for reproducing the full detail of the attack. Substantially shorter diaphragm settling time prevents subtle details from being blurred or covered by earlier loud attacks.
- Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments.
- More gain before feedback. High SPL rating ensures the mic will not overload from the loudest of drum attacks.
INV#219915
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#61780
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120397
- 0.6" small-diaphragm condenser capsule
- Ultrafast 11.67 microsecond rise time
- Supercardioid polar pattern
- 20 Hz to 30 kHz frequency range
- 145 dB maximum SPL
- 16 dBA self-noise
- XLR 3-pin output connector
- Requires 24 to 48 VDC phantom power
INV#264320
- Stainless steel is expertly sculpted through precision machining. Protected within its steel exoskeleton is a studio quality small diaphragm cardioid condenser capsule coupled with a Class A amplifier circuit that leverages Earthworks patented and proprietary technologies to deliver one of the fastest mics on the planet.
- Extended flat frequency response and a focus on time coherence (fast clean impulse response) sets the Earthworks SR314 apart. It doesnà ¢ t sound like a traditional microphone à ¢ it pulls back the veil to reveal the true voice of the artist.
- Maximum rejection of sound sources at 180 degrees imbues the SR314 with levels of feedback immunity and isolation from unwanted sound sources not found in other microphones.
- Quicker soundchecks and better monitor and in-ear mixes let artists focus on what matters most à ¢ the music. Engineers are unencumbered from the necessities of corrective EQ, heavy compression, de-essing and constant vigilance against feedback.
INV#239172
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120402
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#120415
- Plays well with all voices, and offers the flavor of broadcast with the clarity of Earthworks Audio
- Reduced listener fatigue through superior intelligibility and natural sound
- Designed, tuned, & assembled in the USA
- Enhanced time domain accuracy, with an ultra-fast 11.67 microsecond rise time
- Extended flat frequency response from 20Hz to 30kHz
- Exceptional plosive and noise protection from unwanted audio artifacts
- Tight supercardioid polar pattern
- Natural, smooth sibilance, with a generous sweet spot and gentle proximity effect
- Compact and elegant; easy to mount, position, and clean
- Replaceable foam
INV#264317
- Perfect for drum overheads and hi-hats, on the stage or in the studio
- Matched to 0.5dB for exceptional stereo resolution
- Ideal for all stereo recording placement techniques
- Near-perfect cardioid polar pattern consistent across all frequencies
- 140 degree sweet spot sonic image of your whole kit from above
- 20Hz - 25kHz frequency response
- High overload capacity
- An SPL rating of 145dB - your attack will never distort or overload
- Sanitization-Ready stainless steel. Stay clean. Stay healthy.
- Requires +24-48-Volt phantom power
- Handcrafted, Machined, & Assembled in the USA
INV#40867
- Cost effective measurement microphone
- Improved version of the SMAARTMIC™ previously offered by EAW
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#80430
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#128047
- Hypercardioid Vocal Microphone - 30Hz to 40kHz
- (mic clip and case included)
INV#120371
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120401
- Hypercardioid polar pattern
- Frequency response of 30Hz to 30kHz
- Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
INV#80248
- Cardioid Vocal Microphone - 50Hz to 20kHz (mic
- Clip, case & SRW1 windscreen included)
INV#120364
- Extended frequency response to 30kHz
- More gain before feedback than other microphones
- Less leakage
- Textbook perfect cardioid polar pattern with natural on- and off-axis performance
- Provides excellent results for both live performance and recording applications
- Extreme accuracy in the time domain for faithful reproduction and no smearing or distortion
- Transparent sound quality
- Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier louder attacks
INV#120367
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120398
- Extended frequency response to 30kHz
- More gain before feedback than other microphones
- Less leakage
- Textbook perfect cardioid polar pattern with natural on- and off-axis performance
- Provides excellent results for both live performance and recording applications
- Extreme accuracy in the time domain for faithful reproduction and no smearing or distortion
- Transparent sound quality
- Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier louder attacks
INV#49871
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#99911
- Microphone Clip for QTC, TC, SR, P, DP & M Series
- Mics (specify black or white)
INV#120430
- Sound signature designed for streaming, podcasting, interviewing, gaming, web conferencing, and content creating
- Capture studio-quality audio
- Ultra fast capsule Rise Time Speed of 14 microseconds
- Off-axis rejection prevents room noise from entering your stream — even when you're working from home along with the rest of the family
- Integrated visual LED status indication
- Intuitive analog mute & gain control
- Headphone out with sidetone (sidetone available on PC and Linux)
- Interchangeable Class-compliant USB Connectivity for plug 'n play simplicity
- No foam. Easy to clean and sanitize stainless steel windscreen with integrated pop filter
- Designed, Machined, & Assembled in the USA
INV#255537
- Captures sounds with incredible precision
- Extendeded frequency response and excellent impulse response
- Intended for detailed sources
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Accurate and uncolored
- Handles sound levels up to 142dB with no proximity effect or handling noise
- Requires 48V Phantom Power
INV#98457
- Affordable general-purpose omni with high frequency response to 20kHz
- Ideal for a wide variety of instruments and vocals, including acoustic guitar, string instruments and piano
- For live sound the TC20 can be used for close miking instrument amps, drums or brass
- Omnidirectional polar pattern
- Accurate and uncolored
- Effortlessly handle high sound pressure levels up to 150dB SPL while simultaneously capturing subtle details
- Fast impulse response and diaphragm settling time
- Exceptional flat frequency response and are time coherent, so they sound natural and uncolored
- Requires 48V Phantom Power
INV#120359
