Category:
Series:
- Compact, rugged drum mic for stage and studio
- Frequency response: 50Hz-20kHz
- Ultra-fast impulse response
- Near-perfect cardioid polar pattern
- 150dB SPL; rear rejection: 32dB
- Microphone head housing will protect capsule from direct drumstick hit
- Rigid gooseneck stays where you position it, even when drums are played hard
- Included RM1 RimMount and windscreen
INV#219916
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120399
- Cardioid polar pattern
- Frequency response of 30Hz to 30kHz
- Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
- For applications requiring a tighter pickup pattern with greater off-axis rejection
- Large flex section near the center of the stand that couples the stand and the wand
- Mini-gooseneck between the end of the wand and the microphone head
- The lower section of the stand is 3/4" in diameter and the 24 inch wand is 5/16" in diameter with a 4.5" mini-gooseneck connected at the end which connects to the High Definition Microphone™ head
- The combination of a mid-flex section and the mini flex on the wand provide an infinite combination of placement options between 1.5 feet and 7 feet
- Substantial improvement in gain before feedback
- The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
- Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
- The sturdy 12 pound base will not allow the FlexWand™ to be accidentally knocked over
INV#80437
- Cost effective measurement microphone
- Improved version of the SMAARTMIC™ previously offered by EAW
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#50295
- Works for any singer or instrument
- Designed for live stage performances but works equally well for televised productions, worship and home recordings
- Sounds natural and true on any voice
- Tight pattern control across all frequencies offers maximum feedback rejection
- Voiced with rich, clear lows, smooth vibrant mids and open airy highs
- The high SPL prevents clipping from even the most powerful vocalists
- Consistent pattern control enables more directionality and usability ensuring that you keep a good tone and volume level even when vocalists pull away
- Enhanced wind, plosive and sibilance protection
- Minimal handling noise
- Designed for very high gain before feedback
- Tight supercardioid polar pattern
- Excellent off-axis rejection
- Balanced, vibrant and natural sound right out of the box
- Frequency response from 20Hz to 20kHz
- Grill unscrews for easy disassembly and cleaning
- Designed, tuned, & assembled in the USA
INV#281693
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#61780
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#120416
- Cost effective measurement microphone
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#66995
- Perfect for broadcast-quality speech and voice over recording
- Ideal for streaming, podcasting, interviewing, gaming, web conferencing, and content creating
- Lightening fast. Rise Time Speed of 11.67 microseconds
- Mounts to a boom or stand with included custom Triad-Orbit M2-R connector
- Off-axis rejection prevents ambient room noise from entering your stream
- No foam. Easy to clean and sanitize stainless steel windscreen with integrated pop filter
- Designed, Hand Tuned & Assembled in the USA
INV#255536
- Incredible High Definition Audio that will outperform any microphones at any price
- Cannot be seen from outside of the piano (needs no stands or mic booms)
- Superb sound with the piano lid either up or down
- Virtually no leakage from sounds outside the piano
- Incredible gain before feedback
- Recording studios can now record piano with other instruments in the same room
- Quick, Simple and Easy Setup
- 40kHz Random Incidence Omnis
- Hear the full range of the piano including the high and low strings with no hot spots
- The telescoping bar allows the PianoMic™ to be quickly and easily installed in nearly all grand pianos and to place the microphones close to or away from the dampers and get the exact sound desired
INV#80434
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120381
- LumiComm Touch Ring Omni Boundary Layer
- Installation Microphone, Black - 30kHz
INV#169494
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#120414
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#128047
- Rigid center and flex at both ends
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120397
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#120415
- Perfect for drum overheads and hi-hats, on the stage or in the studio
- Matched to 0.5dB for exceptional stereo resolution
- Ideal for all stereo recording placement techniques
- Near-perfect cardioid polar pattern consistent across all frequencies
- 140 degree sweet spot sonic image of your whole kit from above
- 20Hz - 25kHz frequency response
- High overload capacity
- An SPL rating of 145dB - your attack will never distort or overload
- Sanitization-Ready stainless steel. Stay clean. Stay healthy.
- Requires +24-48-Volt phantom power
- Handcrafted, Machined, & Assembled in the USA
INV#40867
- Ultra fast impulse response ideal for reproducing the full detail of the attack. Substantially shorter diaphragm settling time prevents subtle details from being blurred or covered by earlier loud attacks.
- Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
- With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments.
- More gain before feedback. High SPL rating ensures the mic will not overload from the loudest of drum attacks.
INV#219915
- Stainless steel is expertly sculpted through precision machining. Protected within its steel exoskeleton is a studio quality small diaphragm cardioid condenser capsule coupled with a Class A amplifier circuit that leverages Earthworks patented and proprietary technologies to deliver one of the fastest mics on the planet.
- Extended flat frequency response and a focus on time coherence (fast clean impulse response) sets the Earthworks SR314 apart. It doesnà ¢ t sound like a traditional microphone à ¢ it pulls back the veil to reveal the true voice of the artist.
- Maximum rejection of sound sources at 180 degrees imbues the SR314 with levels of feedback immunity and isolation from unwanted sound sources not found in other microphones.
- Quicker soundchecks and better monitor and in-ear mixes let artists focus on what matters most à ¢ the music. Engineers are unencumbered from the necessities of corrective EQ, heavy compression, de-essing and constant vigilance against feedback.
INV#239172
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120401
- Plays well with all voices, and offers the flavor of broadcast with the clarity of Earthworks Audio
- Reduced listener fatigue through superior intelligibility and natural sound
- Designed, tuned, & assembled in the USA
- Enhanced time domain accuracy, with an ultra-fast 11.67 microsecond rise time
- Extended flat frequency response from 20Hz to 30kHz
- Exceptional plosive and noise protection from unwanted audio artifacts
- Tight supercardioid polar pattern
- Natural, smooth sibilance, with a generous sweet spot and gentle proximity effect
- Compact and elegant; easy to mount, position, and clean
- Replaceable foam
INV#264317
- Hypercardioid polar pattern
- Frequency response of 30Hz to 30kHz
- Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
INV#80248
- Cardioid Vocal Microphone - 50Hz to 20kHz (mic
- Clip, case & SRW1 windscreen included)
INV#120364
- Extended frequency response to 30kHz
- More gain before feedback than other microphones
- Less leakage
- Textbook perfect cardioid polar pattern with natural on- and off-axis performance
- Provides excellent results for both live performance and recording applications
- Extreme accuracy in the time domain for faithful reproduction and no smearing or distortion
- Transparent sound quality
- Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier louder attacks
INV#120367
- Hypercardioid Vocal Microphone - 30Hz to 40kHz
- (mic clip and case included)
INV#120371
- 30kHz flat frequency response
- No spotlighting
- Uniform frequency response on or off axis
- More gain before feedback
- Picks up almost no sound from the rear of the microphone
- Electronics housed in microphone
- Prevents RFI
- Mini-gooseneck allows quick and easy positioning
- Comes with 30 foot balanced, twisted pair Canare cable
- Custom cable lengths available
- Does not come with XLR (order accessory C30-XLR for installed male XLR)
INV#99911
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120402
- 0.6" small-diaphragm condenser capsule
- Ultrafast 11.67 microsecond rise time
- Supercardioid polar pattern
- 20 Hz to 30 kHz frequency range
- 145 dB maximum SPL
- 16 dBA self-noise
- XLR 3-pin output connector
- Requires 24 to 48 VDC phantom power
INV#264320
- Cost effective measurement microphone
- Improved version of the SMAARTMIC™ previously offered by EAW
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#80430
- A subtle proximity effect makes it easy to place the mic to capture your bass drum, without getting that boomy sound.
- With an SPL rating of 150dB, you never need to worry about overloading the SR20LS.
INV#228417
- Uniform frequency response on or off axis
- Flat from 50Hz to 20kHz within + 2dB at 6 inches
- Will handle up to 145dB SPL
- No handling noise
- High rejection of sounds to the rear of the microphone
- Rejects RFI
- Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
- Incredible gain before feedback
- Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
INV#120400
- Affordable general-purpose omni with high frequency response to 20kHz
- Ideal for a wide variety of instruments and vocals, including acoustic guitar, string instruments and piano
- For live sound the TC20 can be used for close miking instrument amps, drums or brass
- Omnidirectional polar pattern
- Accurate and uncolored
- Effortlessly handle high sound pressure levels up to 150dB SPL while simultaneously capturing subtle details
- Fast impulse response and diaphragm settling time
- Exceptional flat frequency response and are time coherent, so they sound natural and uncolored
- Requires 48V Phantom Power
INV#120359
- The SV33 is our flagship studio vocal microphone featuring a 14mm capsule that delivers warmth coupled with staggeringly precise audio performance. A true cardioid polar pattern provides freedom and ease for every recording session with an enormous sweet spot and incredible rear rejection, maintaining complete sonic accuracy for vocal performances.
- The SV33 eliminates limitations found in other high-end studio microphones and infuses ease into the process for both the vocalist and the engineer. With 140 degrees of freedom across the frontal hemisphere every moment of joy, longing, pain or elation will come through with breathtaking lifelike clarity.
- The SV33 excels at delivering crystal clear vocals full of detail and nuance; effortlessly positioned forward in the mix with incredibly low end, smooth midrange and high frequency detail. The openness and the air, itâ s all there. Giving you a big vocal track full of vibrant presence with incredible intimacy.
- Its discrete Class A circuitry means that your signal path will remain uncompromised, delivering the purest sound possible. With the SV33 youâ ll achieve unmatched sonic clarity and world-class performance for every recording session.
INV#228415
- The SV33 is our flagship studio vocal microphone featuring a 14mm capsule that delivers warmth coupled with staggeringly precise audio performance. A true cardioid polar pattern provides freedom and ease for every recording session with an enormous sweet spot and incredible rear rejection, maintaining complete sonic accuracy for vocal performances.
- The SV33 eliminates limitations found in other high-end studio microphones and infuses ease into the process for both the vocalist and the engineer. With 140 degrees of freedom across the frontal hemisphere every moment of joy, longing, pain or elation will come through with breathtaking lifelike clarity.
- The SV33 excels at delivering crystal clear vocals full of detail and nuance; effortlessly positioned forward in the mix with incredibly low end, smooth midrange and high frequency detail. The openness and the air, itâ s all there. Giving you a big vocal track full of vibrant presence with incredible intimacy.
- Its discrete Class A circuitry means that your signal path will remain uncompromised, delivering the purest sound possible. With the SV33 youâ ll achieve unmatched sonic clarity and world-class performance for every recording session.
INV#228416
