Brand:
- 2 configurable auxiliary buses
- XLR-type and ¼” metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
INV#38874
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- 6 Channel Professional Effects
- Includes Pro Tools First and The Musician Collection of 23 plugins and instruments
INV#244634
- 10-input stereo mixer with SPX effects, 2
- Channels of single-knob compression, 4 D-PRE mic
- Inputs, 3 stereo inputs, and USB audio interface.
INV#163148
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- 10-input stereo mixer with 2 channels of
- Single-knob compression, 4 D-PRE mic inputs, and
- 3 stereo inputs
INV#163149
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- 4-channel mixer featuring Mackie signature high-headroom/low-noise design
- 2 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 4 high-headroom line inputs
- Selectable instrument inputs on first two channels – no DI box needed
- 2-band EQ (80Hz, 12kHz)
- 18 dB/oct 100Hz low-cut filter on mic input channels
- High-resolution 8-segment stereo meters
- Sealed rotary controls resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
INV#153680
- 12-input, 4-bus mixer with SPX effects, 4
- Channels of single-knob compression, 8 D-PRE mic
- Inputs, 4 stereo inputs, and USB audio interface.
INV#163146
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- Prem 8-Input 2-Bus Mixer w/Xenyx Mic Preamps and
- British EQs Prem ultra low-noise, high headroom
- Analog mixer 2 state-of-the-art XENYX Mic Preamps
INV#137015
- 8-channel mixer featuring Mackie signature high-headroom/low-noise design
- 3 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 8 high-headroom line inputs
- Selectable instrument inputs on first two channels – no DI box needed
- 3-band EQ (80Hz, 2.5kHz, 12kHz)
- 18 dB/oct 100Hz low-cut filter on mic input channels
- Aux send, level, pan and PFL solo on each channel
- Stereo return for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary controls resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
INV#161292
- Get legendary Soundcraft quality from professional microphone preamps
- Easily record, edit and playback from your Mac and PC with an integrated USB audio interface-simply plug-and-play with your Mac
- Sweeten your mix with HARMAN digital signal processing including iconic Lexicon reverb, echo and delay
- Getting a great mix is easy with a familiar channel strip layout that includes EQ, aux send, master fader level and rotary headphone volume control
- Ducking makes sure your audience hears you loud and clear by automatically lowering background music when you speak
INV#217207
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- 2 configurable auxiliary buses
- XLR-type and ¼” metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
INV#38862
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- Ultra Low-Noise Design 12-Input Mic/Line Rack
- Mixer with Premium Mic Preamplifiers and 24-Bit
- Multi-FX Processor
INV#69177
- Prem 5-Input 2-Bus Mixer w/Xenyx Mic Preamp and
- British EQ Prem ultra low-noise, high headroom
- Analog mixer State-of-the-art, phantom powered
INV#42303
- 16-Channel Mixing Console
- Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo)
- 4 GROUP Buses + 1 Stereo Bus
- 4 AUX (incl. FX)
- “D-PRE” mic preamps with an inverted Darlington circuit
- 1-Knob compressors
- High-grade effects: SPX with 24 programs
- 24-bit/192kHz 2in/2out USB Audio functions
- Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter
- Includes Cubase Al DAW software download version
- PAD switch on mono inputs
- +48V phantom power
- XLR balanced outputs
- Internal universal power supply for world-wide use
- Rack Mount Kit Included
- Metal chassis
- Dimensions(W×H×D): 444 mm x 130 mm x 500 mm (17.5" x 5.1" x 19.7")
- Net Weight: 6.8 kg (15.0 lbs.)
INV#163144
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- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo and FX setting store function
- 1 FX send on each channel
- 1 configurable auxiliary bus
- XLR-type and ¼” metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 3-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
- Custom Karaoke preset
INV#102117
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- 14-channel mixer featuring Mackie signature high-headroom/low-noise design
- 6 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 14 high-headroom line inputs with +4/-10 operation control
- 3-band EQ (80Hz, 2.5kHz, 12kHz)
- 18 dB/oct 75Hz low-cut filter on mic input channels
- 2 aux sends, level, pan and PFL solo on each channel
- 60mm long-wearing log-taper faders
- 2 stereo returns for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
Control room / phones source matrix - High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Rack-mountable design using optional rack ear kit
- Multi-voltage power supply for worldwide use
INV#137442
- 4 mic/line inputs, 2 with Class A FET high impedance inputs
- 2 stereo sources with MP3 player compatibility
- 2 auxes
- Sound image pan
- Illuminated PFL indicator
- Stereo returns & playback
- Responsive 3-band, swept mid EQ with MusiQ
- XLR main stereo outputs with inserts
- Comprehensive monitoring
- Configurable USB stereo audio in/out
- Stereo monitor outs
- 48V microphone phantom power
- DI level switching for sub mixing
INV#75382
- 2 configurable auxiliary buses
- XLR-type and ¼” metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
INV#38875
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- 4 in, 4 out USB Audio Interface (24-bit/96kHz)
- Cubase LE Software included
- Cubasis LE App included
- 4 in, 4 out USB Audio Interface (24-bit/96kHz)
- Cubase LE Software included
- Cubasis LE App included
- 4 Mic / Line Inputs with separate XLR and TRS jack sockets
- 2 Stereo Inputs with TRS jack sockets
- 2 Guitar DI high impedance inputs, eliminating the need for DI boxes
- Internal FX Engine with Tap Tempo
- Lo-cut filter for cleaning up unwanted low frequency noise
- 3 band EQ for easy creative and corrective tonal shaping
INV#168824
- 6-input stereo mixer with SPX effects, 2 D-PRE
- Mic inputs, and 2 stereo inputs
INV#163150
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- 4-channel stereo line mixer
- Microphone input with 2-band EQ (balanced XLR-1/4" combo)
- Voiceover control with priority ducking and variable hold time
- Rear panel master volume control
INV#220637
- 20-input, 6-bus mixer with SPX effects, 8
- Channels of single-knob compression, 16 D-PRE mic
- Inputs, 4 stereo inputs, and USB audio interface.
INV#163142
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- Prem 12-Input 2-Bus Mixer w/Xenyx Mic Preamps,
- British EQs and 24-Bit Multi-FX Processor Prem
- Ultra low-noise, high headroom analog mixer 4
INV#106808
- DDA 12 Input Analogue Live and Studio Mixer with
- MIDAS Microphone Preamplifiers
INV#200258
- Prem 12-Input 2-Bus Mixer w/Xenyx Mic Preamps and
- British Eqs Prem ultra low-noise, high headroom
- Analog mixer 4 state-of-the-art XENYX Mic Preamps
INV#154941
- 16-channel mixer featuring Mackie signature high-headroom/low-noise design
- 16 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Phantom power for studio condenser mics
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 16 high-headroom line inputs with +4/-10 operation control
- 16 balanced inserts perfect for integrating outboard gear
- 3-band EQ with sweepable midrange
- 18 dB/oct 75Hz low-cut filter on mic input channels
- 4 aux sends, level, pan, solo and overload/mute LEDs on each channel
- 4 stereo returns, 8 direct outs and 4 group/bus outputs
- 60mm long-wearing log-taper faders
- Control room / phones multi-input source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Rack-mountable design with three physical configurations via Rotopod accessory (sold separately)
- Multi-voltage power supply for worldwide use
INV#137592
- Model 24 enables you to record and play back any combination of 24 tracks of digital audio as well as perform overdubs and punch-ins quickly and
- With enough inputs to capture an entire band in a single take, the Model 24 provides quick and easy signal routing to and from your computer without having to stop to re-patch and re-set levels
- Featuring 12 Mono input channels and 4 Mono/Stereo channels, the TASCAM Model 24 is flexible enough to support most groups on stage but compact enough to carry to the gig
INV#230540
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- Six Balanced 1/4” - XLR Inputs
- Low-Noise Mic Preamp Circuitry
- High Gain (92dB Channel Input to Program Output) Ensures Full Output with Low Level or Distant Mics
- Two-Band EQ on Each Input
- Input Level and Pan Controls on Each Input
- Clip LED’s on Each Input
- Eleven-Step LED Output Level Metering
- 48V Phantom Power for Condenser Mics
- Six Channel Inserts
- Aux Send Controls
- Balanced 1/4” Stereo Outputs
- Transformer Balanced XLR Mono Outputs
- Stereo Headphone Jack with Level Control
- Auxiliary Line Inputs and Outputs
- Three Position Input Gain Switch
- 20dB Microphone Pad Switch
- Stereo Line Input Control
- Front Panel 3.5mm Stereo Line Input
- Aux Master Output Control
- Internal Power Supply
- Safety/Compliance: cTUVus/CE, RoHS, FCC
INV#38792
- High Gain (84dB Channel Input to Program Output) Ensures Full Output with Low Level or Distant Mics
- Transformer Isolated +24dBm 600 ohm Balanced XLR Mono Output
- Pan Control on Each Channel
- Auxillary Tape/CD Inputs and Outputs
- +48V Phantom Power for Condenser Mics
- Front Panel 3.5mm Stereo Line In Jack
- Stereo Headphone Jack with Level Control
- Safety/Compliance: cTUVus/CE, RoHS, FCC
INV#9913
- 16-channel mixer featuring Mackie signature high-headroom/low-noise design
- 10 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Phantom power for studio condenser mics
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 16 high-headroom line inputs with +4/-10 operation control
- 4 aux sends, level, pan and PFL solo on each channel
- 3-band EQ (80Hz, 2.5kHz, 12kHz)
- 18 dB/oct 75Hz low-cut filter on mic input channels
- 60mm long-wearing log-taper faders
- 4 stereo returns for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Rack-mountable design using optional rack ear kit
- Multi-voltage power supply for worldwide use
INV#161817
- DDA 16 Input Analogue Live and Studio Mixer with
- MIDAS Microphone Preamplifiers
INV#200257
- 2 Mic / Line Inputs with separate XLR and TRS jack sockets
- 2 Stereo Inputs with TRS jack sockets
- 2 high impedance Guitar DI inputs, eliminating the need for DI boxes
- Lo-cut filter for cleaning up unwanted low frequency noise
- 2 band EQ for easy creative and corrective tonal shaping
- 60mm smooth travel fader on main mix
- 2 in, 2 out USB Audio Interface (24-bit/96kHz)
- Cubase LE Software included
- Cubasis LE App included
INV#127265
