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On-Stage Stands
RS4000 - Foldable Tilt-Back Amp Stand
  • Holds an amp at the proper angle to direct sound toward the listener
  • Tilts an amp away from the floor to reduce reflections and vibrations for improved sound
  • Heavy-duty frame provides strength for dependable amp support
  • Steel support arms deliver stability to hold a small amp safely in place
 

INV#11049

Shure
SM57-LC - SM Series Legendary Instrument Microphone
  • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
  • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
  • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
  • Pneumatic shock-mount system cuts down handling noise
  • Extremely durable under the heaviest use
  • Replacement cartridge: R57
 

INV#6224

Sennheiser
E 609 SILVER - evolution 600 Series Side-Address Instrument Mic
  • Hum compensating coil reduces electrical interference
  • Neodynium ferrous magnet with boron keeps mic stable regardless of climate
  • Metal construction—rugged and reliable
  • Super-cardioid pick-up pattern provides isolation from other on-stage signals
 

INV#54032

Shure
BETA 57A - BETA Series Dynamic Instrument Microphone
  • Uniform supercardioid pattern with high gain-before-feedback
  • Neodymium magnet for high signal-to-noise ratio
  • Advanced pneumatic shock mount system
  • Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
  • Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
  • Minimally affected by varying load impedance
  • Shure quality and reliability
 

INV#9149

Shure
SM81-LC - SM Series Condenser Instrument Microphone
  • Flat response curve for accurate reproduction of sound sources
  • Low noise and high output clipping level
  • Low distortion over a wide range of load impedances
  • Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds
  • Low RF susceptibility
  • Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff
  • 0 dB/10 dB lockable attenuator switch
  • Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
  • Rugged steel construction for durability
  • Field-usable over wide range of temperature and humidity conditions
 

INV#6228

Sennheiser
E 904 - evolution 900 Series Drum Mic
  • Full, impressive, lively sound for drums and percussion
  • Very fast attack
  • Compact body ideal for mounting on toms and snares
  • Excellent sound profiling, adapts to all percussive styles
  • Robust reinforced metal casing
 

INV#36753

Shure
BETA 52A - BETA Series Bass / Kick Drum Microphone
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Studio quality performance, even at extremely high sound pressure levels
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Shure quality and reliability
 

INV#9150

Audix
MB5050 - 50" Carbon Fiber Boom System with M1250B Capsule
  • Lighweight, rigid
  • Portable, easy to position
  • Clean, elegant appearance
  • Exceptional sound quality
  • No external power needed
  • Attaches to any mic stand
  • Can be used horizontally or vertically
 

INV#59621

Sennheiser
3-PACK E 604 - evolution 600 Series Drum / Percussion Mic
  • Rugged reinforced glass-fibre body
  • Low sensitivity to impact and handling noise
  • Very high sound pressure handling capability
  • Low distortion microphone
  • Hum compensating coil
  • Easy to position due to compact design
  • Integral stand mount
 

INV#48240

Shure
BETA 91A - BETA Series Half-Cardioid Condenser Microphone
  • Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
  • Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
  • Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
  • Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
  • Requires no external mounting or accessories for ease of use and storage
  • Furnished with zipper pouch
 

INV#75642

Audio-Technica
PRO-8HECH - AT PRO-8HECH
  • Hypercardioid Dynamic Mic
 

INV#230149

Shure
PGA31-TQG - PGA31 Performance Headset Condenser Microphone
  • Headset Cardioid Condenser Microphone with
  • Windscreen
 

INV#162732

Sennheiser
E 906 - evolution 900 Series Side-Address Instrument Mic
  • Lively, full sound
  • Very fast attack
  • Flat shape is ideal for miking amp faces
  • Three position switchable sound character: bright, moderate, dark
  • Rugged metal body
  • Switchable presence filters (3 levels)
 

INV#35708

Shure
PGA57-XLR - Cardioid dynamic instrument microphone - XLR-XLR c
  • Cardioid dynamic instrument microphone - XLR-XLR
  • Cable
 

INV#180284

Audio-Technica
PRO35 - Clip-on Instrument Microphone
  • UniMount® clip permits accurate positioning, provides shock resistance and protects element
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Extended frequency response captures subtle nuances of the performance
  • 6' (1.8 m) cable permanently attached to microphone
 

INV#5823

Audio-Technica
PRO37 - Small-Diaphragm Condenser Microphone
  • Professional performance for studio recording and live sound reinforcement
  • Low-mass element for superb transient response
  • Excels in high-SPL applications
  • Low-profile design for optimal mic placement
  • Corrosion-resistant contacts from gold-plated XLRM-type connector
  • Rugged design and construction for reliable performance
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
 

INV#5825

Samson
C02 - Pencil Condenser Mics - SuperCardioid (Pair)
  • SuperCardioid Pickup Pattern
  • Gold-plated XLR connectors
  • Carry Case & shock-mounted mic clips included
  • Sold as stereo pair
 

INV#40678

Sennheiser
MD 421-II - Classic Dynamic Studio Microphone
  • Rugged professional microphone
  • Five position bass roll-off switch
  • Effective feedback rejection
  • Clear sound reproduction
  • Easy handling due to pronounced directivity
 

INV#9824

DPA Microphones
4099-DC-1-199-V - DPA VO4099V 4099 inst mic Kit, Super Cardi
  • Superior gain-before-feedback
  • Wireless compatible
  • Flexible and easy one-hand mounting
  • Holder gentle to the instrument
 

INV#107548

Shure
DMK57-52 - Shure Drum Microphone Kit
  • Three SM57 microphones
  • One Beta 52A kick drum microphone
  • Three A56D drum mounts
  • Carrying case included
 

INV#6328

Shure
KSM137/SL - KSM Series Instrument Microphone
  • Extended frequency response
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • Highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • 3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • 3-position switchable low-frequency filter reduces background noise and counteracts proximity effect
 

INV#29741

Shure
BETA 98H/C - BETA Series Clamp-on Microphone for Woodwinds, Brass, and Percussion
  • Compact, lightweight construction provides a low degree of visibility
  • Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning
  • High maximum sound pressure level (SPL) enables handling of the extreme demands of brass, woodwind and percussion instruments
  • Transformerless preamplifier circuitry which improves linearity across the full frequency range
  • Pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise
  • Features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection)
  • Tailored frequency response for open, natural sound reproduction
  • Shure ruggedness and reliability
  • Interchangeable replacement cartridges: RPM108 : Cardioid RPM110 : Supercardioid
 

INV#29041

SE Electronics
SE7 (P) - Small diaphragm condenser microphone - Matched pai
  • High quality condenser capsule
  • The quietest mic in its class
  • Switchable pre-attenuation pad
  • Switchable low-cut filter
  • Gold-plated XLR connector
  • All-metal housing with premium finish
  • Factory-matched stereo pair
 

INV#235620

SE Electronics
DM1 - Active inline preamp
  • +28dB of clean, consistent gain: designed for neutral, balanced sound quality; the perfect way to boost the signal of a passive microphone; gain stays consistent regardless of connected load; provides significantly improved level to your mic preamp for proper gain staging
  • Sophisticated class-A electronics: state of the art electronics and high-grade FETs provide supremely low noise; transformerless design for pristine sound quality; provides the lowest noise in its class
  • Dedicated output buffer amplifier: provides +28dB output independent of load impedance or cable length; extremely low output impedance; drives long cable runs and can reduce susceptibility to RF interference, buzz & hum
  • Gold-plated XLR connector: for loss-free and reliable signal connection
  • Slim, rugged all-metal housing with premium finish: efficient rejection of any electrical interference and noise; high-quality finish ensures a great look for many years; slim design allows for easy placement in the studio or on stage
 

INV#235624

Shure
PGA81-LC - Cardioid dynamic instrument microphone - less cabl
  • Cardioid dynamic instrument microphone - less cabl
 

INV#180283

Audix
D6 - Dynamic Kick Drum Microphone
  • Live stage, recording
  • Kick drum
  • Floor Toms
  • Bass cabinets
  • Leslie bottom
 

INV#34137

Audix
MB5055 - 50" Carbon Fiber Boom System with M1255B High Output Capsule (Cardioid)
  • Lighweight, rigid
  • Portable, easy to position
  • Clean, elegant appearance
  • Exceptional sound quality
  • No external power needed
  • Attaches to any mic stand
  • Can be used horizontally or vertically
 

INV#59919

Earthworks
FW730 - Integrated Choir Microphone Boom Stand
  • Cardioid polar pattern
  • Frequency response of 30Hz to 30kHz
  • Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
  • For applications requiring a tighter pickup pattern with greater off-axis rejection
  • Large flex section near the center of the stand that couples the stand and the wand
  • Mini-gooseneck between the end of the wand and the microphone head
  • The lower section of the stand is 3/4" in diameter and the 24 inch wand is 5/16" in diameter with a 4.5" mini-gooseneck connected at the end which connects to the High Definition Microphone™ head
  • The combination of a mid-flex section and the mini flex on the wand provide an infinite combination of placement options between 1.5 feet and 7 feet
  • Substantial improvement in gain before feedback
  • The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
  • Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
  • The sturdy 12 pound base will not allow the FlexWand™ to be accidentally knocked over
 

INV#80437

Shure
SM137-LC - SM Series Condenser Instrument Microphone
  • Ultra-thin diaphragm for smooth high end and tight, controlled low end
  • 15dB pad for performance consistency across a wider range of high SPL sources
  • Low self-noise and transformerless preamplifier circuitry
 

INV#54594

Electro-Voice
RE320 - Variable-D Dynamic Vocal and Instrument Studio Mic
  • Variable-D™ pattern control minimizes positional and off-axis tonal shifts
  • Integrated humbucking coil and integral pop filters provide virtually noiseless performance
  • Unique dual-voicing switch selects from two response curves
 

INV#92661

AKG Acoustics
P170 - Perception Series Instrument Microphone
  • Professional small-diaphragm, true condenser cardioid microphone
  • Switchable 20 dB preattenuation pad
  • Heavy-duty, roadworthy, all-metal construction
  • AKG sound quality
  • Designed and engineered by AKG in Vienna, Austria
 

INV#54588

Sennheiser
E 604 - evolution 600 Series Drum / Percussion Mic
  • Rugged reinforced glass-fibre body
  • Low sensitivity to impact and handling noise
  • Very high sound pressure handling capability
  • Low distortion microphone
  • Hum compensating coil
  • Easy to position due to compact design
  • Integral stand mount
 

INV#9972

Audix
I5 - Multi-Purpose Dynamic Microphone
  • Live Stage, studio
  • Snare, toms, percussion
  • Guitar cabinets, electric instruments
  • Brass, flute,woodwinds
  • Acoustic instruments
  • Vocals, speech
 

INV#14521

Sennheiser
E 614 - evolution 600 Series Supercardioid Instrument Mic
  • Designed for demanding applications where extended frequency range, high SPL handling, fast transient response and small size are required
  • Captures the shimmer and the contact of sticks, mallets and hands
  • Nearly flat response from 40 Hz to 20 kHz and a supercardioid pattern
  • Includes microphone clip MZQ 100
 

INV#36982

Shure
KSM32/CG - Embossed Single-Diaphragm Microphone (Charcoal Gray)
  • Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range
  • Embossed, high-compliance diaphragm provides extended low-frequency response
  • Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response
  • 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
  • Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect
  • Integrated three-stage pop protection grille reduces "pop" and other breath noise
  • Internal shock mount reduces transmission of handling noise
  • Replacement cartridge: RK374
  • Extremely uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
 

INV#62361

Audix
MB8450 - 84" Carbon Fiber Boom System with M1250B Capsule
  • Lighweight, rigid
  • Portable, easy to position
  • Clean, elegant appearance
  • Exceptional sound quality
  • No external power needed
  • Attaches to any mic stand
  • Can be used horizontally or vertically
 

INV#80351

Shure
520DX - Green Bullet Harmonica Microphone
  • Volume control knob allows users to adjust the volume to fit each musical situation
  • Rugged, dynamic cartridge with improved response
  • High-impedance, omnidirectional
  • Supplied with 1/4 inch connector
  • Frequency response 100 to 5,000 Hz
 

INV#6252

DPA Microphones
4099-DC-1-101-P - d:vote Series Stereo Microphone System for Piano
  • High gain-before-feedback
  • Flat frequency response
  • Compact, discrete size
  • Excellent phase characteristic
  • Detachable cable and versatile gooseneck extender
 

INV#151870

Shure
BETA 56A - BETA Series Instrument Microphone with Integrated Stand Adapter and XLR Connector
  • Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
  • Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
  • Compact design reduces stage clutter
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal–to–noise ratio output
  • Minimally affected by varying load impedance
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Legendary Shure quality and reliability
 

INV#34555

Audio-Technica
AT2021 - 20 Series Cardioid Condenser Instrument Microphone
  • Condenser design for studio-quality vocal and instrument applications
  • Excels in high-SPL applications
  • Ideal for acoustic guitar, overheads, piano and group vocals
  • Extended response for smooth, natural sonic characteristics
  • Low-mass element for superb transient response
  • Corrosion-resistant contacts from gold-plated XLRM-type connector
  • Rugged design and construction for reliable performance
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
 

INV#102715

Earthworks
M23 - Small Diaprhagm Condenser Measurement Microphone Up to 23kHz
  • Cost effective measurement microphone
  • Improved version of the SMAARTMIC™ previously offered by EAW
  • Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
  • Omnidirectional polar pattern
  • Flat frequency response, fast impulse response and exceptional polar characteristics
  • Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
  • Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
  • Requires 48V Phantom Power
  • Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
 

INV#50295

Audio-Technica
PRO70 - Lavalier/Instrument Microphone
  • Miniature condenser microphone is ideal for both vocal and acoustic guitar applications
  • Natural and articulate vocal reproduction when used as a clip-on lavalier—clothing clip included
  • Excels in pickup of acoustic guitar with included instrument adapter
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Switchable low-frequency roll-off
  • Corrosion-resistant contacts from gold-plated XLRM-type connector
  • Operates on battery or phantom power
  • 6' (1.8 m) cable permanently attached between microphone and power module
 

INV#5748

Shure
BETA 98AD/C - BETA Series Miniature Condenser Microphone with A98D Drum Mount
  • Uniform cardioid polar pattern provides maximum gain-before-feedback and rejection of off-axis sound for smooth high-end response and control
  • Ships with A98D drum mount featuring a flexible gooseneck for precise placement and secure attachment
  • Frequency response tailored for drums and percussion applications with a wide dynamic range for use in high SPL environments
  • Precision-engineered design for unobtrusive microphone footprint
 

INV#75639

Audix
ADX51 - ADX Series Instrument Condenser Mic
  • Acoustic instruments
  • Cymbals, drum overhead
  • High-hat, percussion table
  • Group vocal, speech
  • Ambient room miking
  • Ambient room miking
 

INV#14565

Shure
PGA98H-TQG - PG Alta Series Cardioid Condenser Instrument Mic (for wireless)
  • Flexible gooseneck microphone with integrated preamplifier for wind instrument performance and recording
  • Condenser cartridge (requires phantom power) with cardioid polar pattern
  • Integrated horn clamp for quick and easy mounting
  • Includes PGA98H TQG for wireless beltpacks, zipper pouch and user guide
 

INV#180276

AKG Acoustics
D112 MKII - Professional Dynamic Bass Drum Microphone
  • Integrated flexible mount makes it even more versatile
  • Large diaphragm dynamic microphone delivers accurate low frequencies
  • Integrated hum-compensation coil keeps noise to an absolute minimum
  • Industry benchmark for bass drum microphone used on stages worldwide for over 30 years
 

INV#181276

Shure
PGA81-XLR - Cardioid dynamic instrument microphone - XLR-XLR c
  • Cardioid dynamic instrument microphone - XLR-XLR
  • Cable
 

INV#180282

Shure
X2U - XLR-to-USB Signal Adapter
  • Plug and Play USB Connectivity allows the convenience of digital recording, anywhere your computer can go (compatible with Windows 7, Vista, XP, 2000, and Mac OS X 10.1 or later)
  • Provides +48V Phantom power
  • USB cable (3m / 9.8ft) included for immediate use
  • Headphone jack with volume control for monitoring
  • Integrated pre-amp with Microphone Gain Control allows control of input signal strength
  • Monitor Mix Control for blending microphone and playback audio
  • Zero Latency Monitoring for real-time playback and multi-tracking without disorientation
  • 16 bit, up to 48 kHz sample rate for better-than-CD quality audio
 

INV#54250

Audix
D4 - Dynamic Drum and Instrument Mic
  • Live Stage-Coffee House to Stadium
  • Large rack tom, floor tom, small kick drum
  • Cajon, djembe, tympani, leslie bottom
  • Bass flute, sax and baritone sax, trombone
  • Acoustic bass, bass cabs
 

INV#14555

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