Brand:
- Holds an amp at the proper angle to direct sound toward the listener
- Tilts an amp away from the floor to reduce reflections and vibrations for improved sound
- Heavy-duty frame provides strength for dependable amp support
- Steel support arms deliver stability to hold a small amp safely in place
INV#11049
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Replacement cartridge: R57
INV#6224
- Hum compensating coil reduces electrical interference
- Neodynium ferrous magnet with boron keeps mic stable regardless of climate
- Metal construction—rugged and reliable
- Super-cardioid pick-up pattern provides isolation from other on-stage signals
INV#54032
- Uniform supercardioid pattern with high gain-before-feedback
- Neodymium magnet for high signal-to-noise ratio
- Advanced pneumatic shock mount system
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Minimally affected by varying load impedance
- Shure quality and reliability
INV#9149
- Flat response curve for accurate reproduction of sound sources
- Low noise and high output clipping level
- Low distortion over a wide range of load impedances
- Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds
- Low RF susceptibility
- Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff
- 0 dB/10 dB lockable attenuator switch
- Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
- Rugged steel construction for durability
- Field-usable over wide range of temperature and humidity conditions
INV#6228
- Full, impressive, lively sound for drums and percussion
- Very fast attack
- Compact body ideal for mounting on toms and snares
- Excellent sound profiling, adapts to all percussive styles
- Robust reinforced metal casing
INV#36753
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Studio quality performance, even at extremely high sound pressure levels
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Shure quality and reliability
INV#9150
- Lighweight, rigid
- Portable, easy to position
- Clean, elegant appearance
- Exceptional sound quality
- No external power needed
- Attaches to any mic stand
- Can be used horizontally or vertically
INV#59621
- Rugged reinforced glass-fibre body
- Low sensitivity to impact and handling noise
- Very high sound pressure handling capability
- Low distortion microphone
- Hum compensating coil
- Easy to position due to compact design
- Integral stand mount
INV#48240
- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
- Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
- Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
- Requires no external mounting or accessories for ease of use and storage
- Furnished with zipper pouch
INV#75642
- Headset Cardioid Condenser Microphone with
- Windscreen
INV#162732
- Lively, full sound
- Very fast attack
- Flat shape is ideal for miking amp faces
- Three position switchable sound character: bright, moderate, dark
- Rugged metal body
- Switchable presence filters (3 levels)
INV#35708
- Cardioid dynamic instrument microphone - XLR-XLR
- Cable
INV#180284
- UniMount® clip permits accurate positioning, provides shock resistance and protects element
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Extended frequency response captures subtle nuances of the performance
- 6' (1.8 m) cable permanently attached to microphone
INV#5823
- Professional performance for studio recording and live sound reinforcement
- Low-mass element for superb transient response
- Excels in high-SPL applications
- Low-profile design for optimal mic placement
- Corrosion-resistant contacts from gold-plated XLRM-type connector
- Rugged design and construction for reliable performance
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
INV#5825
- SuperCardioid Pickup Pattern
- Gold-plated XLR connectors
- Carry Case & shock-mounted mic clips included
- Sold as stereo pair
INV#40678
- Rugged professional microphone
- Five position bass roll-off switch
- Effective feedback rejection
- Clear sound reproduction
- Easy handling due to pronounced directivity
INV#9824
- Superior gain-before-feedback
- Wireless compatible
- Flexible and easy one-hand mounting
- Holder gentle to the instrument
INV#107548
- Three SM57 microphones
- One Beta 52A kick drum microphone
- Three A56D drum mounts
- Carrying case included
INV#6328
- Extended frequency response
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- Highly consistent cardioid polar pattern
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- 3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- 3-position switchable low-frequency filter reduces background noise and counteracts proximity effect
INV#29741
- Compact, lightweight construction provides a low degree of visibility
- Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning
- High maximum sound pressure level (SPL) enables handling of the extreme demands of brass, woodwind and percussion instruments
- Transformerless preamplifier circuitry which improves linearity across the full frequency range
- Pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise
- Features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection)
- Tailored frequency response for open, natural sound reproduction
- Shure ruggedness and reliability
- Interchangeable replacement cartridges: RPM108 : Cardioid RPM110 : Supercardioid
INV#29041
- High quality condenser capsule
- The quietest mic in its class
- Switchable pre-attenuation pad
- Switchable low-cut filter
- Gold-plated XLR connector
- All-metal housing with premium finish
- Factory-matched stereo pair
INV#235620
- +28dB of clean, consistent gain: designed for neutral, balanced sound quality; the perfect way to boost the signal of a passive microphone; gain stays consistent regardless of connected load; provides significantly improved level to your mic preamp for proper gain staging
- Sophisticated class-A electronics: state of the art electronics and high-grade FETs provide supremely low noise; transformerless design for pristine sound quality; provides the lowest noise in its class
- Dedicated output buffer amplifier: provides +28dB output independent of load impedance or cable length; extremely low output impedance; drives long cable runs and can reduce susceptibility to RF interference, buzz & hum
- Gold-plated XLR connector: for loss-free and reliable signal connection
- Slim, rugged all-metal housing with premium finish: efficient rejection of any electrical interference and noise; high-quality finish ensures a great look for many years; slim design allows for easy placement in the studio or on stage
INV#235624
- Cardioid dynamic instrument microphone - less cabl
INV#180283
- Live stage, recording
- Kick drum
- Floor Toms
- Bass cabinets
- Leslie bottom
INV#34137
- Lighweight, rigid
- Portable, easy to position
- Clean, elegant appearance
- Exceptional sound quality
- No external power needed
- Attaches to any mic stand
- Can be used horizontally or vertically
INV#59919
- Cardioid polar pattern
- Frequency response of 30Hz to 30kHz
- Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
- For applications requiring a tighter pickup pattern with greater off-axis rejection
- Large flex section near the center of the stand that couples the stand and the wand
- Mini-gooseneck between the end of the wand and the microphone head
- The lower section of the stand is 3/4" in diameter and the 24 inch wand is 5/16" in diameter with a 4.5" mini-gooseneck connected at the end which connects to the High Definition Microphone™ head
- The combination of a mid-flex section and the mini flex on the wand provide an infinite combination of placement options between 1.5 feet and 7 feet
- Substantial improvement in gain before feedback
- The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
- Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
- The sturdy 12 pound base will not allow the FlexWand™ to be accidentally knocked over
INV#80437
- Ultra-thin diaphragm for smooth high end and tight, controlled low end
- 15dB pad for performance consistency across a wider range of high SPL sources
- Low self-noise and transformerless preamplifier circuitry
INV#54594
- Variable-D™ pattern control minimizes positional and off-axis tonal shifts
- Integrated humbucking coil and integral pop filters provide virtually noiseless performance
- Unique dual-voicing switch selects from two response curves
INV#92661
- Professional small-diaphragm, true condenser cardioid microphone
- Switchable 20 dB preattenuation pad
- Heavy-duty, roadworthy, all-metal construction
- AKG sound quality
- Designed and engineered by AKG in Vienna, Austria
INV#54588
- Rugged reinforced glass-fibre body
- Low sensitivity to impact and handling noise
- Very high sound pressure handling capability
- Low distortion microphone
- Hum compensating coil
- Easy to position due to compact design
- Integral stand mount
INV#9972
- Live Stage, studio
- Snare, toms, percussion
- Guitar cabinets, electric instruments
- Brass, flute,woodwinds
- Acoustic instruments
- Vocals, speech
INV#14521
- Designed for demanding applications where extended frequency range, high SPL handling, fast transient response and small size are required
- Captures the shimmer and the contact of sticks, mallets and hands
- Nearly flat response from 40 Hz to 20 kHz and a supercardioid pattern
- Includes microphone clip MZQ 100
INV#36982
- Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range
- Embossed, high-compliance diaphragm provides extended low-frequency response
- Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response
- 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
- Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect
- Integrated three-stage pop protection grille reduces "pop" and other breath noise
- Internal shock mount reduces transmission of handling noise
- Replacement cartridge: RK374
- Extremely uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
INV#62361
- Lighweight, rigid
- Portable, easy to position
- Clean, elegant appearance
- Exceptional sound quality
- No external power needed
- Attaches to any mic stand
- Can be used horizontally or vertically
INV#80351
- Volume control knob allows users to adjust the volume to fit each musical situation
- Rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response 100 to 5,000 Hz
INV#6252
- High gain-before-feedback
- Flat frequency response
- Compact, discrete size
- Excellent phase characteristic
- Detachable cable and versatile gooseneck extender
INV#151870
- Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
- Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
- Compact design reduces stage clutter
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal–to–noise ratio output
- Minimally affected by varying load impedance
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Legendary Shure quality and reliability
INV#34555
- Condenser design for studio-quality vocal and instrument applications
- Excels in high-SPL applications
- Ideal for acoustic guitar, overheads, piano and group vocals
- Extended response for smooth, natural sonic characteristics
- Low-mass element for superb transient response
- Corrosion-resistant contacts from gold-plated XLRM-type connector
- Rugged design and construction for reliable performance
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
INV#102715
- Cost effective measurement microphone
- Improved version of the SMAARTMIC™ previously offered by EAW
- Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
- Omnidirectional polar pattern
- Flat frequency response, fast impulse response and exceptional polar characteristics
- Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
- Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
- Requires 48V Phantom Power
- Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve
INV#50295
- Miniature condenser microphone is ideal for both vocal and acoustic guitar applications
- Natural and articulate vocal reproduction when used as a clip-on lavalier—clothing clip included
- Excels in pickup of acoustic guitar with included instrument adapter
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Switchable low-frequency roll-off
- Corrosion-resistant contacts from gold-plated XLRM-type connector
- Operates on battery or phantom power
- 6' (1.8 m) cable permanently attached between microphone and power module
INV#5748
- Uniform cardioid polar pattern provides maximum gain-before-feedback and rejection of off-axis sound for smooth high-end response and control
- Ships with A98D drum mount featuring a flexible gooseneck for precise placement and secure attachment
- Frequency response tailored for drums and percussion applications with a wide dynamic range for use in high SPL environments
- Precision-engineered design for unobtrusive microphone footprint
INV#75639
- Acoustic instruments
- Cymbals, drum overhead
- High-hat, percussion table
- Group vocal, speech
- Ambient room miking
- Ambient room miking
INV#14565
- Flexible gooseneck microphone with integrated preamplifier for wind instrument performance and recording
- Condenser cartridge (requires phantom power) with cardioid polar pattern
- Integrated horn clamp for quick and easy mounting
- Includes PGA98H TQG for wireless beltpacks, zipper pouch and user guide
INV#180276
- Integrated flexible mount makes it even more versatile
- Large diaphragm dynamic microphone delivers accurate low frequencies
- Integrated hum-compensation coil keeps noise to an absolute minimum
- Industry benchmark for bass drum microphone used on stages worldwide for over 30 years
INV#181276
- Cardioid dynamic instrument microphone - XLR-XLR
- Cable
INV#180282
- Plug and Play USB Connectivity allows the convenience of digital recording, anywhere your computer can go (compatible with Windows 7, Vista, XP, 2000, and Mac OS X 10.1 or later)
- Provides +48V Phantom power
- USB cable (3m / 9.8ft) included for immediate use
- Headphone jack with volume control for monitoring
- Integrated pre-amp with Microphone Gain Control allows control of input signal strength
- Monitor Mix Control for blending microphone and playback audio
- Zero Latency Monitoring for real-time playback and multi-tracking without disorientation
- 16 bit, up to 48 kHz sample rate for better-than-CD quality audio
INV#54250
- Live Stage-Coffee House to Stadium
- Large rack tom, floor tom, small kick drum
- Cajon, djembe, tympani, leslie bottom
- Bass flute, sax and baritone sax, trombone
- Acoustic bass, bass cabs
INV#14555
